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Shotty capogne11/27/2022 ![]() ![]() This subplot tricks you into thinking that it’s important. Pacing is disregarded in favor of unnecessary flashbacks and an occasional mention of a large sum of money that Capone allegedly has hidden. ![]() Many scenes are simply reduced to Hardy sitting in a lounge chair or walking around his Florida mansion steadily puffing away at his cigar. The majority of Capone’s runtime is spent detailing Fonz’s slow decay. She suffers through all of his nightmares and doctor’s appointments. Cardellini, in particular, works decently alongside Hardy as his wife. Despite this, some performances work well with this mangled script, namely Linda Cardellini as Mae and Kyle MacLachlan as Capone’s doctor. The story attempts to include other characters but they are sorely underutilized and their arcs non-existent. He completely embodies this character through every grunt and snarl. That being said, there is never a moment where Hardy doesn’t lean into the role fully. On occasion, Hardy does approach Travolta levels of ham. It is oddly alluring to see Hardy go this off-the-wall. It is a grotesque showcase of an aging American myth that doesn’t impress as much as it bewilders. This is one of the most unorthodox performances Hardy has given, barely rivaling his role in Nicolas Winding Refn’s Bronson. Every word is garbled and barely audible. His voice is a strange cross between the unintelligible ramblings of late-era Marlon Brando and the mucous-filled delivery of Roz from Monsters Inc. SHOTTY CAPOGNE FULLHardy’s performance as Al Capone is gnarled and full of wince-inducing moments. The result is a muddled mess of a film that fails to realize its full potential. ![]() Capone aims to chart the parallels between the artist and his subject, but the lack of a concise narrative hinders this goal. Some may find it strange that Trank’s return to Hollywood is a swan-song to a Prohibition-era mobster, but his vision makes sense, execution aside. It was a spectacle that left Trank blacklisted and production of his Star Wars film canceled. The catastrophe of his next film, the critically derived Fantastic Four, led him to plunge directly to the bottom again. Trank, after releasing Chronicle, was catapulted from an unknown to overnight success. It’s clear that his story is personal to him as he directed, wrote, and edited the entire film. Josh Trank has claimed that he identified closely with the story of Capone. At its core, Capone is the story of a once-fabled legend who is impotently grappling with the man he once was and whether the journey was worth the outcome. He reminisces about those memories through the radio as if to feebly hope for another chance at that life. SHOTTY CAPOGNE SERIALAfter vomiting and defecating on himself (not the only case of this), Capone sits and listens to a radio serial of an old escapade involving an actor playing him. The aging gangster’s mental state was deteriorating at a massive rate. His face is disheveled, his hair unkempt, and he talks with the voice of someone who has lived well beyond his years. Now, soon after being released from prison, he’s going broke and suffering from a serious case of neurosyphilis. The house that he occupies is lavish and full of mementos from his glory days as one of Chicago’s most infamous gangsters. About 20 minutes into Capone, the newest film from Chronicle and Fantastic Four director Josh Trank, we see an aging Alphonse Capone (Tom Hardy) sitting in a chair munching on an old cigar. ![]()
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